The Austrian artist, BOICUT, lives and works in Vienna. His works are abstract, impulsive, colourful and quite brilliant. BOICUT has painted a special edition of PIXEL edition for Bene – with colours, shapes and lines that all somehow relate to ideas, office life and work.
How does anyone become an artist? Did you always want to paint, or was the path not quite so straightforward?
The path wasn’t quite that straight. There are some people who start drawing as kids and keep going. But it was a bit different for me; I drew a lot when I was young, but then other things got more important, like my first girlfriend and skateboarding. Then I studied in Vienna and worked in a call centre. It was only later that I studied graphic design. I wrote a dissertation about “The artist as a brand”, and that is also when I created BOICUT.
And where did it go from there?
At first I did small commissioned projects and worked at an agency. That often meant waking up at 5 in the morning, working on my own projects for a few hours and then heading into the agency. It was during this time that I had my first exhibition in London, then some work for Converse and, on my last day at the agency, I got a commission from Kaufhaus Steffl - the first big project under the name BOICUT.
There are some words that we have heard so often now that we don’t dare ask what they actually mean. “Disruption” is one such word. In our magazine, we’ve set out in search of the origin and meaning of this term that has caused such a stir in today’s worlds of finance and culture.
The theory of disruptive innovation has its origin in the book “The Innovator’s Dilemma” by Clayton Christensen. In his book Christensen suggests that, aside from the “classic” approach to innovation, which for example develops existing products and services, there exists also a disruptive form of innovation. This, according to Christensen, follows certain rules: one speaks of disruption if a small business with limited resources manages to displace established, hitherto successful businesses in a given industry.
The Salone Internazionale del Mobile was founded in 1961 to promote Italian furniture manufacturing and exports. It soon became one of the most keenly anticipated events in the design industry calendar. This year Bene will be there too, to present the newest member of the Bene product family, PIXEL.
PIXEL might look like a box, but it can also be a table, a bench, or a stand, and so much more. It can even all of these at the same time. Come and visit us at the Salone del Mobile in Milan and get to know PIXEL.
When designing NOOXS, the London design firm PearsonLloyd was inspired by working methods that are common in architecture. We talked to Tom Lloyd and Luke Pearson about their inspiration, how to delegate work and their favourite song to brainstorm to.
Welcome Muuto! We are delighted to be able to welcome a new partner brand: chairs, sofas, luminaires and much more from Muuto will be available in selected Bene showrooms in the near future. We have used this fantastic new partnership as an opportunity to put three questions to Muuto's CEO Anders Cleeman.
The name Muuto says it all – "muutos" means “new perspectives” in Finnish. Muuto Design develops its Scandinavian heritage fully in line with this concept, based on plenty of passion and bold creative approaches. High standards in terms of aesthetics and functionality, as well as a love of craftsmanship form part of its philosophy, as does trying out new materials and techniques. This philosophy of new perspectives is brought to life in collaboration with unique and modern designers.
Innovation is not a trend, but a critical component if you want to really set yourself apart. As a business within a highly competitive market. As a group within our society. And as an individual, at home and in the workplace.
Bene and Interface are proud to announce their new partner ship with the permanent innovation platform LIVING TOMORROW. What will the future be like? Discover the answer at our inauguration event!
Martin Bergmann, Gernot Bohmann and Harald Gründl have been working together as a design collective since 1995. For Bene they answer questions about their FILO design and they explain how the art of archery has inspired innovative furniture design.
WHAT IS MOST SPECIAL ABOUT THE FILO TABLE?
The ‘antlers’ of die-cast aluminium whose branches extend into bars on the underside of the continuous tabletop; this allows for a minimalist supporting structure, very large spans, and maximum legroom.
AND ABOUT THE FILO CHAIR?
The armrest of the chair works like a drawn bow. It is elastic where it is the thinnest, and this opens the angle between seat and backrest. There is no mechanism to enable this movement, the armrest itself is the mechanism.
WHAT WAS YOUR INSPIRATION FOR FILO?
Mike Keilhauer talked about a chair for concentration and what that could mean. We then started looking around for concentration rituals and found them in archery. We invited a Japanese master bowman who demonstrated the art of Kyudo to us on the flat roof of our studio. The breathing, the concentration technique, and the unity of human and object really fascinated us. In the moment of the shot, the idea for this chair was clear to us.
Living Tomorrow is an impressive project, offering people a glimpse into the future of life, health, technology and economy. Thanks to a new cooperation with Bene, Living Tomorrow now also presents the future world of work.
The concept of "Living Tomorrow" is unique in the world. Located in Brussels, Living Tomorrow provides a hub for innovative enterprises where visitors can experience products and services that could vastly improve the quality of our future life, home and workplace. Thanks to a new cooperation with Bene, Living Tomorrow now also presents the future world of work. According to the philosophy of Bene, the office is a living space, with different zones and areas to support various activities like collaboration and communication; but also focused work or ideation processes. Bene offered its expertise in the field to create a working environment that is a perfect fit for the project team of Living Tomorrow. The office features modern solutions for concentrated work as well as space for meetings, teamwork and retreat.
The Bene New Year card is something quite special and new every year. Read the story behind this season’s card in our magazine.
Architecture office AllesWird- Gut (in English, all will be well) has been undertaking visionary and creative work since 1997, without losing sight of the necessary pragmatism. The projects developed for Vienna and Munich range from housing and office buildings to the magdas HOTEL, a Caritas social business project. We talked to Herwig Spiegl, who cofounded AllesWirdGut, about visions, work processes and redesigning the skies.
When does Alles Wird Gut (in English, all will be well) find a project to be visionary?
Herwig Spiegl: We find a project visionary when it is possible to stand one’s ground against the argument of “it has always been like that”.
Many of your buildings are built for companies. Does an innovative space promote success?
HS: An innovative space does encourage you to think about things in a different way. It stimulates the senses and the imagination, creating a good basis for success.